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Blood, Ink, Let The Right One In

Friday 17th April, rainy and mild.

Easter week, full of flowers disjointed and muddled days, chocolate eggs, gardening, The World At War, Prokofiev and Stravinsky, and me struggling with the never-ending gothic novel of my family's affairs, recalcitrant small tasks at my desk, pining to get back to Grasshopper. Saw Let The Right One In at the Duke's, loved it. Such a great idea to tell the story of where Igors come from. I love people who love the rules; who find new ways to work within a classic imagination-space. Especially an imagination-space so exhausted, so over-fished, as the Vampire story. Admirable.

Blood and Ink is a series of literary events at Fabrica, an exhibition venue in Brighton, at present displaying two medium-sized works by Anish Kapoor, one of them a bronze bloodbath with an incised text commenting on the Arabian Nights, by Salman Rushdie. We went to the first last night: my friend Maude Casey giving a fascinating, wide-ranging presentation on the many faces of the Thousand And One Nights. Decor to match, charming refreshments provided, sweetmeats and pomegranates on lordly dishes. And not forgetting Guantanamo Bay either. The rest of the presentations are an eclectic pick and mix, Chinua Achebe, Ovid, among others. I'm kicking in with Genji on 30th April. I wonder if the gathering will get sushi? Veggie sushi, I hasten to add. This is Brighton!

Seems like the keynote is going to be an intro wherein the writer at the desk disparages Salman Rushdie's contribution to the art work. It's okay. Apparently Anish Kapoor has had second thoughts too.

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