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Suffragette Review on Ada Lovelace Day

No red carpet protestors at the Brighton opening of Suffragette last night, (no red carpet, of course) just the Brighton branch of the brand new (March 2015) Women's Equality Party, with green and purples rosettes and sashes: (and the best of good luck to them) The movie? For me, it was good, but not terrific. I thought it was great the way they focused on the use of early movie technology and covert cameras. I wasn't sure about the way the Pankhursts were reduced to Meryl Streep beaming fatuously out of an upstairs window. And In the end I felt a bit let down. Firstly on a purely visceral level, because the movie chooses to ends on a bum note: fade to sad and the rest is silence; instead of a chorus of Mary Ethyl Smyth's March Of The Women. Secondly by the whole decision to present Emily Davison's Derby Day stunt as the climax of the Suffrage campaign (definitely not true!), and worse, the fudged suggestion that Davison's act amounted to suicide (I don't think so), but this suicide bomb created a hugely trending social media event, so the tactic was justified. (Ouch. On reflection, you can see why the movie, having struck this note, fades out uneasily).

"It felt very 21st century in a way" says Abi Morgan, screenwriter. (Interview with Caroline Criado Perez). Indeed.

Like any dissatisfied critic, I sat there as the credits rolled, writing my own version of the scenario, which I have now figured out pretty nicely. Carey Mulligan, great in her role as the "inarticulate but eloquent footsoldier" is seen hero-worshipping Emmeline Pankhurst from a distance, as in the crowd scene as in the movie, BUT, she actually connects with Sylvia (that's Sylvia in the photo, by far my favourite Pankhurst). "Maud" and Emily both volunteer for the stunt of trying to attach a WSPU scarf to the bridle of the King's Horse on Derby day. They are seen practicing this stunt (with Sylvia, who disapproves, it's too dangerous). They study the course, agreeing on the Tattersham corner; with expert, female advice (I'm sure you could find or create a female, WSPU sympathising racegoer and gee-gee fancier if you tried). In a word, they are organised. On Derby day, by chance Emily gets in, "Maud Watts" doesn't. Emily dies, & the media event follows. The suffragettes, however, are not last seen wallowing in an orgy of white lilies; they are seen in a montage of the very interesting subsequent events.1914: Emmeline and Christabel Pankhurst "patriotically" ditch the struggle and join the War Effort. Maud Watts is disgusted and goes on working for peace and justice, and the welfare of working women, alongside Sylvia & her comrades. She is seen (rather tight-lipped, yet still determined) welcoming the1918 victory for well-heeled women over 30 . . . Now you can fade out to the roll call of the votes for women international roster, but over a rousing chorus of the March of the Women

Okay, more than you wanted to know. The movie made her think, you are saying to yourselves. So she dissed it. I hate it when reviewers do that . . .



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