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The Killing: Forgotten dreams

Monday 28th March, a cool grey morning, sunshine breaking through by lunchtime. Nursing another cold, weak of will, I have just spent the whole morning reading New Scientist and answering a journalist's questions about gynoids.

And that was The Killing. And what do you know, after all that gripping, sombre and ingenious misdirection, the butler did it & didn't I say so? You ask Peter, he'll tell you. Sara Lund could have saved herself much trouble and grief if she had called me, soon as I'd seen the first episode.

Gwyneth, help me out, so I can go to Sweden and not rip my life apart. Who did it?

Lund, look no further. It was that weevilly-looking bloke, with the crumpled soft face and kind of cringing manner, who works for the Birk Larsens like some kind of family retainer. What's he doing there? He's a fifth wheel, the tell-tale extra body who can be hanging around for no other reason but to be the murderer. He's your man.

The Cave Of Forgotten Dreams on the other hand, retained its mystery. Who were they, what were they doing in that cavern, 32,000 years ago: leaving barely any trace of their occupation bar the cave lions, the horses, the rhinos, the auroch, the bison. Was there simply no barrier between the new-born mind and hand, could everybody draw like that? Or was this a genius, creating in ritual dedication? Was it just Bent Little Finger, and maybe a mate or two, whiling away the time while caught by a snowstorm or something? Or has the blanket of crystal deposited by the millenia smothered a more detailed, purposeful story? I had my doubts about the "bison embracing the sex of a human female", just couldn't see it; on the other hand I waited in vain for someone to explain the reddish skinny elephant, apparently standing on its back legs, with sort of dusters on its feet... Bewildered by the editing that seemed to have been done by a kid on work experience, I will treasure the final image for a long time: the cave painters were human beings. I am as an albino alligator, with fabulous yellow eyes, drifting in a synthetic radioactive swamp.

That's so cool! I embrace this vision!